Are you sure you want to delete this answer? Yes Sorry, something has gone wrong. I assume that you're writing about somebody else's book, not writing to an agent or publisher about your own in which case, you'd probably be submitting a few sample poems, not a "synopsis" of the complete manuscript.
Our fees can be found hereand submission guidelines here. Client feedback can be found here. If you want your manuscript to be given serious consideration, a good synopsis is a crucial part of your submission. The same applies to literary agents.
To put it simply, the sample chapters are to show how you write, and the synopsis is to tell the reader what happens when they have finished reading them.
Then, if they do want to read more, they will ask you. So, the bottom line is this — if you want to have your manuscript read in its entirety you must invest time in getting your cover letter and book synopsis right.
I know from my experiences at TLC that many writers can get disconcerted and nervous by having to produce a synopsis and there are usually two reasons why. First, a writer might have an unwieldy story that they themselves are not per cent convinced by, or a non-fiction project that they do not really know enough about.
If this is so, summarising can be difficult because the level of thinking through and planning of the project has not been done in the first place. In this instance, I would urge the writer to question why this process is so difficult.
If it is because the story is insufficiently clear, persuasive or gripping, then more work needs to be done to get the manuscript into the kind of shape that would persuade an agent or editor to consider it further.
Second, a writer might genuinely be able to write a good book but not be experienced in the art of summarising a work in an effective manner. A few might even consider the act of doing so demeaning. If this is the case, I would urge you to think not of yourself, but of the reader, and treat the project as a literary exercise which you should try to enjoy: It might help to refer to book blurbs, or plot summaries in reference books such as The Oxford Companion to Literature, or online, for example in Wikipedia.
In addition to letting a professional reader know what happens in your manuscript, the synopsis will also let them know at a glance if you have thought about how your work fits in to the market. This is critical in non-fiction, less so with fiction, although with fiction awareness of what genre you have written in is vital.
But before writing either of these, you must clarify which genre your work fits into. The most important thing to realise about fiction in respect of how you present it to representatives of the publishing industry is that it breaks down into different types, or genres.
Some of these dramatic forms are familiar and others not. There are always more genres being invented or cross-fertilised. It can be difficult to keep up!
The most popular genres today are, broadly speaking: Classifying your novel within a genre can be a challenge. This is largely because when most people start to write a novel they do so without having studied the genre they are writing for.
Although, when you start to write, you feel free to explore, practise and experiment without thinking in terms of the defining limits of a genre, by the time you come to submitting your work to be published, it is very important to know which genre your work fits into.
A good starting point is to read books you consider similar to the one you are writing that are already published, and note how they are classified on the back cover. By reading, and sometimes studying literature and writing through other routes, you will also learn the possibilities and limits offered by your chosen genre.
Writing a brief summary Having made it your top priority to identify what type of novel you have written, you can make a start on your all-important synopsis. For example, had you written Pride and Prejudice today: Pride and Prejudice is a contemporary, literary romance about a woman who falls in love with a man she thinks she hates.
Or, Pride and Prejudice, a contemporary, literary novel, tells the story of Elizabeth Bennett, a proud, intelligent woman, one of five sisters, whose mother is committed to marrying her children off as a matter of urgency.
Elizabeth meets Darcy, owner of a grand estate, but considers him over proud, arrogant and undesirable. In time, she learns that he is not all that he appears to be, and revises her prejudice, before they fall deeply in love. Both these examples, one short, one longer, serve to whet the appetite for more detail to follow.
An example of an ostensibly weak synopsis, which rambles and fails to emphasise the most important points quickly enough, might be: Set at some point in the nineteenth century, five sisters are looking for husbands.
Or is Mary, really? Anyway, their mother is a real fuss pot and annoys everybody.Writing a review of a poetry book is similar to writing a review of a fictional or a nonfictional book because you must analyze themes, genre, figures of speech and cultural context.
However, you must also stress elements unique to poetry, such as rhyme and meter. Here’s what one writer learned about writing a book when she started to tell her story.
The synopsis should start by ensuring that the recipient can grasp immediately and precisely what kind of book/writer is on offer.
Specify what kind of writing genre it . The Stand has , ratings and 15, reviews.
Kemper said: You know what’s really scary? Getting sick while you’re reading the first part of The Stan. The Purdue University Online Writing Lab serves writers from around the world and the Purdue University Writing Lab helps writers on Purdue's campus.
Nov 11, · Best Answer: I assume that you're writing about somebody else's book, not writing to an agent or publisher about your own (in which case, you'd probably be submitting a few sample poems, not a "synopsis" of the complete manuscript).
My apologies if I've misunderstood your r-bridal.com: Resolved.